December 29, 2012This is NOT Philosophy!

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I really don’t like calling this a discussion of Philosophy. It’s not. We’re going to call it something else. Philosophy is on the second floor. (Review the Three Story Rap). Epistemology is on the 3rd floor. For some time, now, I have not seen Epistemology as a Branch of Philosophy. That definition is out of […]

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December 14, 2012Limiting the Unlimited: Personal Reflections on Erv Wilson and Arabic Liquor

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I was around 11 or 12 years old when I heard my grandfather, Joe Shikany, singing Arabic music with his friends. His eyes were tightly closed as he wailed “ya lay lee” accompanied by an oud (stringed instrument) and a doumbek (drum). There was a group of men sitting in a circle drinking Arak and […]

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August 11, 2011Microtonal Cartoon Cues

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A 1993 medley of musical cues written by Stephen James Taylor for Disney’s Timon and Pumbaa using Wilson’s “Meta-Ptolemy” tuning ratios. Hosted by the Sonic Sky SoundCloud

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August 10, 2011Music from the Lake Aloe Festival

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Microtonal music from the Island of Anaphoria composed by Kraig Grady. Hosted by the Sonic Sky SoundCloud For more samples of Kraig Grady’s music visit http://anaphoria.com/samples.html

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August 10, 2011Hex by Gary David

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Microtonal music from Gary David’s 1968 progressive jazz group “The Sound of Feeling” using Wilson tuning structure known as the “Hexany.” Hosted by the Sonic Sky SoundCloud

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August 10, 2011“3/8 to 2/5” by Marcus Satellite

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Marcus Hobbs techno piece using continuous MOS tuning. The scale itself does not stay still, it is in a constant state of flux. Hosted by the Sonic Sky SoundCloud

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August 10, 201117 Tone Moments of Symmetry Etude1

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Stephen James Taylor takes an excursion into a 17 tone unequal scale derived from Wilson’s MOS pitch field. The note grouping and meter are also derived from the same numbers upon which the scale tuning is based. This is part of a work in progress being done in collaboration with painter, David Wien. Hosted by […]

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August 9, 2011Movement 8 from Warren Burt’s “20 Dekanies”

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Excerpt from a 20 movement work based on Wilson’s CPS scales generated by algorithmic methods.

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